Reception
When A. Koszul first published an edited version of Midas in 1922, he argued "that the little classical fancies which Mrs. Shelley never ventured to publish are quite as worthy of consideration as her more ambitious prose works". However, his "Introduction" to the play speaks mostly of Percy Shelley and his contribution to Mary Shelley's works. In fact, as he explains, he has decided to publish in order to contribute to the Percy Shelley centenary. Since their original publication, neither Midas nor Prosperine has received much critical attention. Critics have either only paid attention to Percy Shelley's poems or dismissed the plays. Literary critic Elizabeth Nitchie wrote that the plays are "distinguished only by the lyrics that Shelley wrote for them" and Sylva Norman contends that they "do not really call for analytical and comparative study". However, in the last fifteen years or so, beginning with the publication of The Other Mary Shelley, more attention has been paid to Mary Shelley's "other" works, such as her dramas.
Read more about this topic: Midas (Shelley)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)