Reception
When A. Koszul first published an edited version of Midas in 1922, he argued "that the little classical fancies which Mrs. Shelley never ventured to publish are quite as worthy of consideration as her more ambitious prose works". However, his "Introduction" to the play speaks mostly of Percy Shelley and his contribution to Mary Shelley's works. In fact, as he explains, he has decided to publish in order to contribute to the Percy Shelley centenary. Since their original publication, neither Midas nor Prosperine has received much critical attention. Critics have either only paid attention to Percy Shelley's poems or dismissed the plays. Literary critic Elizabeth Nitchie wrote that the plays are "distinguished only by the lyrics that Shelley wrote for them" and Sylva Norman contends that they "do not really call for analytical and comparative study". However, in the last fifteen years or so, beginning with the publication of The Other Mary Shelley, more attention has been paid to Mary Shelley's "other" works, such as her dramas.
Read more about this topic: Midas (Shelley)
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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