Minimum Mass of A Black Hole
In principle, a black hole can have any mass equal to or above the Planck mass (about 22 micrograms). To make a black hole, one must concentrate mass or energy sufficiently that the escape velocity from the region in which it is concentrated exceeds the speed of light. This condition gives the Schwarzschild radius, where G is Gravitational constant and c is the speed of light, of a black hole of mass M. On the other hand, the Compton wavelength, where h is Planck's constant, represents a limit on the minimum size of the region in which a mass M at rest can be localized. For sufficiently small M, the reduced Compton wavelength (, where ħ is Dirac's constant) exceeds half the Schwarzschild radius, and no black hole description exists. This smallest mass for a black hole is thus approximately the Planck mass.
Some extensions of present physics posit the existence of extra dimensions of space. In higher-dimensional spacetime, the strength of gravity increases more rapidly with decreasing distance than in three dimensions. With certain special configurations of the extra dimensions, this effect can lower the Planck scale to the TeV range. Examples of such extensions include large extra dimensions, special cases of the Randall-Sundrum model, and string theory configurations like the GKP solutions. In such scenarios, black hole production could possibly be an important and observable effect at the LHC. It would also be a common natural phenomenon induced by the cosmic rays.
All this asumes that the theory of general relativity remains valid at these small distances. If it does not, then other, presently unknown effects, will limit the minimum size of a black hole.
Read more about this topic: Micro Black Hole
Famous quotes containing the words minimum, mass, black and/or hole:
“After decades of unappreciated drudgery, American women just don’t do housework any more—that is, beyond the minimum that is required in order to clear a path from the bedroom to the front door so they can get off to work in the mourning.”
—Barbara Ehrenreich (20th century)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Usually, when people talk about the “strength” of black women they are referring to the way in which they perceive black women coping with oppression. They ignore the reality that to be strong in the face of oppression is not the same as overcoming oppression, that endurance is not to be confused with transformation.”
—bell hooks (b. c. 1955)
“The absence on the panel of anyone who could become pregnant accidentally or discover her salary was five thousand dollars a year less than that of her male counterpart meant there was a hole in the consciousness of the committee that empathy, however welcome, could not entirely fill.”
—Anna Quindlen (b. 1953)