Differences Between Japanese and North American Versions
While the gameplay, soundtrack and premise to rescue Alice is the same, there exist a considerable amount of differences between Capcom's US release and Hudson's original game for the Famicom, especially when it comes to the use of Disney characters.
Both versions make use of Disney villains for bosses but not one of them is present in both versions. For example, the Cheshire Cat from Alice in Wonderland is the first boss in the Japanese version, but in the US version he was replaced by Witch Hazel. Many Disney characters who appear as regular foes in the Japanese version were also replaced in the US version by other Disney baddies.
The Japanese version was based, first and foremost, on the movie Alice in Wonderland and most references about Disney on this version derive from this same movie, although some references to Peter Pan are also made, such as having Captain Hook as the fourth boss in the game.
The US localization used a more varied formula, with enemies coming from The Jungle Book, Country Bear Jamboree, Sleeping Beauty and Snow White and the Seven Dwarfs.
Some of the items also underwent changes. In the Japanese version, Mickey could refill his life bar by picking up Donald Duck's head but this item was replaced in the US conversion by a simple diamond. Mickey uses throwing stars as a weapon in the North American version. However, in Hudson's version, he shoots white balls.
The stage names were also edited. For example, the first stage which is known in the US version as the "Fun House" was the "Little House" in the Japanese version.
Read more about this topic: Mickey Mousecapade
Famous quotes containing the words differences between, differences, japanese, north, american and/or versions:
“What strikes many twin researchers now is not how much identical twins are alike, but rather how different they are, given the same genetic makeup....Multiples don’t walk around in lockstep, talking in unison, thinking identical thoughts. The bond for normal twins, whether they are identical or fraternal, is based on how they, as individuals who are keenly aware of the differences between them, learn to relate to one another.”
—Pamela Patrick Novotny (20th century)
“No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description.... But, then, the radicalness of these differences ... these things ... were strongly corroborative of suspicion.”
—Edgar Allan Poe (1809–1849)
“In fact, the whole of Japan is a pure invention. There is no such country, there are no such people.... The Japanese people are ... simply a mode of style, an exquisite fancy of art.”
—Oscar Wilde (1854–1900)
“If I could put my hand on the north star, would it be as beautiful? The sea is lovely, but when we bathe in it the beauty forsakes all the near water. For the imagination and senses cannot be gratified at the same time.”
—Ralph Waldo Emerson (1803–1882)
“‘Tis the gift to be simple ‘tis the gift to be free
‘Tis the gift to come down where you ought to be
And when we find ourselves in the place just right
‘Twill be in the valley of love and delight.”
—Unknown. ‘Tis the Gift to Be Simple.
AH. American Hymns Old and New, Vols. I–II. Vol. I, with music; Vol. II, notes on the hymns and biographies of the authors and composers. Albert Christ-Janer, Charles W. Hughes, and Carleton Sprague Smith, eds. (1980)
“The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.”
—Stephen Bayley (b. 1951)