Production
Mickey Mouse began production in April 1928 after the Disney studio lost the license to Oswald the Lucky Rabbit. The first two films, Plane Crazy and The Gallopin' Gaucho, were previewed in theaters but failed to pick up a distributor. For the third film, Disney added synchronized sound, a technology that was still in its early stages at the time. Steamboat Willie debuted in New York in November 1928 and was an instant success. The revenues from the film provided the studio with much needed resources, and the studio quickly began to produce new cartoons as well as rereleasing sound versions of the first two.
Production slowed towards the end of the 1930s as the studio began to focus more on other characters. The series was retired in 1953 with the release of The Simple Things, but was revived in 1983 and 1990 with two featurettes. The final film of the series, 1995's Runaway Brain, returned the series to its single reel format.
The cartoons were directed by 19 different people. Those with the most credits include Burt Gillett (34), Wilfred Jackson (18), Walt Disney (16), David Hand (15), and Ben Sharpsteen (14). Notable animators who worked on the series include Ub Iwerks, Norm Ferguson, Ollie Johnston, Frank Thomas, and Fred Moore. Mickey's voice is mostly provided by Walt Disney, with some additional work by Carl Stalling and Clarence Nash. By 1948, Jimmy MacDonald had taken over Mickey's voice. Wayne Allwine voices the mouse in the three most recent films.
Read more about this topic: Mickey Mouse Film Series
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“The production of too many useful things results in too many useless people.”
—Karl Marx (1818–1883)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)