Plot
Michael Felgate (Hugh Grant), is a British auctioneer, living in New York where he mananges the Cromwell auction house. He proposes marriage to his girlfriend Gina Vitale (Jeanne Tripplehorn), but is shocked to be turned down. Gina tearfully explains that her father Frank (James Caan) and most of her cousins and uncles are gangsters deeply involved in a Mafia crime family, and she is worried that Michael may be sucked into their world. Michael retorts that he will not let this happen, but barely is their engagement party over before he is unwittingly involved in a money laundering scam, and soon the FBI takes an interest in him.
When one of the money laundering scams at Michael's auction house goes wrong, Gina's cousin Johnny (John Ventimiglia) confronts and assaults Michael. Gina grabs his gun and fires a warning shot into the ceiling, which ricochets and accidentally kills Johnny. Johnny's father Vito finds out, and he tells Frank he will kill Gina unless Frank kills Michael during his wedding speech. Unable to carry out the deed, Frank confesses what Vito has ordered him to do to Michael and the two of them turn to the FBI in return for protection. The FBI set up an elaborate operation in which Michael's execution will be faked at the wedding reception. Michael is given a hidden recording device and is tasked with trying to record Vito into admitting his criminal activity on tape before he is "executed".
Michael's plan fails, and when Vito realises that his execution is a set-up, he orders Vinnie (Joe Viterelli) to kill Michael. Vinnie shoots Gina in what appears to be an accident. Vito is arrested for ordering Michael's execution. As Frank and Michael mourn Gina's apparent death in the back of her ambulance, it is revealed that her death was faked as well, and that Vinnie and Gina were also involved with the FBI as a back-up plan.
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Famous quotes containing the word plot:
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)