Family
Michael Simpson Culbertson was of Irish descent, his paternal great-grandfather having emigrated from County Antrim, Ireland, to Franklin County, Pennsylvania, around the mid-18th century. His father Joseph (1779–1858) was a banker. Michael was the first born of his father's second wife, Frances (1785–1867) whom he married in 1818. He had five older brothers, and one sister from his father's previous union to Mary (died 1817). Michael had two brothers noteworthy in American History: Alexander (1809–1879), a fur trader and pathfinder for whom the town of Culbertson Montana is named; and Thaddeus Ainsworth (1823–1850), a Yale graduate, who explored with brother Alexander and authored, Journal of an expedition to the Mauvaises Terres and the Upper Missouri in 1850 Another brother, Cyrus (1812–1869) was an Officer in the Union Army during the Civil War. Michael Simpson Culbertson and his wife had two daughters, who returned to New York with their mother upon his death. Josephine (1852–1939), born in China; studied art in New York, settled in Carmel, California becoming a noted artist. She co-founded the Carmel Art Association in 1927.
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Famous quotes containing the word family:
“It seems to me that upbringings have themes. The parents set the theme, either explicitly or implicitly, and the children pick it up, sometimes accurately and sometimes not so accurately.... The theme may be “Our family has a distinguished heritage that you must live up to” or “No matter what happens, we are fortunate to be together in this lovely corner of the earth” or “We have worked hard so that you can have the opportunities we didn’t have.””
—Calvin Trillin (20th century)
“Diamonds may have been a girl’s best friend in an era when a woman’s only hope of having a high family income was to marry a man who was well-off, but today, marketable skills that will enable a woman to command a good income over her lifetime are a better investment.”
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“With a new familiarity and a flesh-creeping “homeliness” entirely of this unreal, materialistic world, where all “sentiment” is coarsely manufactured and advertised in colossal sickly captions, disguised for the sweet tooth of a monstrous baby called “the Public,” the family as it is, broken up on all hands by the agency of feminist and economic propaganda, reconstitutes itself in the image of the state.”
—Percy Wyndham Lewis (1882–1957)