History
Shrieve's first full-time band was called Glass Menagerie, followed by experience in the house band of an R&B club, backing touring musicians including B.B. King and Etta James. At 16, he played in a jam session at the Fillmore Auditorium, where he attracted the attention of Santana's manager, Stan Marcum. When he was 19, Shrieve jammed with Santana at a recording studio and was invited to join that day. The 2004 two-disc Legacy release of Santana features additional tracks recorded before Shrieve joined the band.
On August 16, 1969, Santana played the Woodstock Festival, shortly after Shreive's twentieth birthday, but before the release of their eponymous first album (1969). He would continue with Santana for Abraxas (1970), Santana III (1971), Caravanserai (1972), Welcome (1973), Borboletta (1974) and the live Lotus {1974}. He co-wrote four of the tracks on Caravanserai, as well as co-produced the album.
Shrieve left the original Santana band to pursue solo projects. He moved to London, England to record the 1976 album Automatic Man with guitarist Pat Thrall, bassist Doni Harvey and keyboardist Todd Cochran (billed as Bayete). While in London Shrieve was part of the fusion supergroup Go with Stomu Yamashta, Steve Winwood, Al Di Meola and Klaus Schulze, releasing two studio albums Go (1976) and Go Too (1977) and the live album Go Live from Paris (1976).
He played in the band Hagar Schon Aaronson Shrieve (with Sammy Hagar, Neal Schon, and Kenny Aaronson). Later, he played drums on (former Supertramp member) Roger Hodgson's first solo album, In the Eye of the Storm.
From 1979 to 1984, he collaborated as a percussionist in Richard Wahnfried, a side project of Klaus Schulze (another drummer turned electronic composer) while recording with Schulze his own first "solo" album of electronic music, Transfer Station Blue, in 1984.
In 1997, he joined former Santana musicians Neal Schon, Gregg Rolie, José "Chepito" Areas, Alphonso Johnson, and Mike Carabello to record Abraxas Pool.
He has also collaborated with David Beal, Andy Summers, Steve Roach, Jonas Hellborg, Buckethead, Douglas September, and others. He has served as a session player on albums by Todd Rundgren and Jill Sobule.
In 2004, he appeared on the track "The Modern Divide" on the Revolution Void album Increase the Dosage. The album was released under a Creative Commons license.
As of April 2010, Shrieve lives in Seattle, Washington, where he plays in a fusion jazz group, Spellbinder, at The White Rabbit every Monday night in Fremont, Seattle, with Danny Godinez, Joe Doria, John Fricke, and Farko Dosumov.
He recently worked as a producer on his son Sam Shrieve's debut album Bittersweet Lullabies.
Shrieve has composed music for several films, most notably Paul Mazursky's Tempest and Apollo 13.
Read more about this topic: Michael Shrieve
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