Michael Penn - Career

Career

Michael Penn is a critically acclaimed singer/songwriter and film composer. Prior to the release of his 1989 debut album March, Penn was a member of the Los Angeles band Doll Congress, and had appeared as an extra on a few television series, including St. Elsewhere.

March, particularly the first single, "No Myth," brought Penn attention, as well as the 1990 MTV Video Music Award for Best New Artist. Penn's follow-up albums Free-for-All (1992), Resigned (1997) MP4: Days Since a Lost Time Accident (2000 ) Mr. Hollywood Jr., 1947 (2005) and Palms and Runes, Tarot and Tea (2007) weren't able to match the commercial success of March, although critics continued to praise his songcraft.

It was with Free-for-All that Penn faced the specter of the one-hit wonder. The album, while praised by critics, was not as successful as Penn's debut, though it had more than its share of supporters. Rolling Stone called it "stunning" and CMJ wrote that the album "exhausts any doubts" about whether March was a fluke.

In Vox magazine, critic Gary Leboff acknowledged that Penn could be "pig-headedly uncommercial," but, he conceded, "the payoff is sublime". Leboff continues, "His freeform songwriting creates tracks of startling shape and originality, offering literate reflections on the human condition..."

Penn collaborated with the renowned surrealist animators The Brothers Quay on "Long Way Down (Look What The Cat Drug In)," which found a home not on MTV but in film festivals around the country, winning awards along the way.

He has worked extensively creating original music for film; among his first work in this field (if not the first) was for 1993's Tales From the Vienna Woods. He scored two movies released by Paul Thomas Anderson in 1997, Hard Eight and Boogie Nights; he also appears in the latter in a cameo role playing Nick, a recording engineer. During the editing of the film, Anderson directed a music video with Penn for "Try" from Resigned (the video can be found on the Boogie Nights DVD). Other films scored by Penn include Alan Cumming's first two directorial efforts, The Anniversary Party and Suffering Man's Charity; American Teen, Sunshine Cleaning; the documentary The Comedians of Comedy; and The Last Kiss. In 2003, he was nominated for a DVDX Award for Best Original Score in a DVD Premiere Movie for Melvin Goes to Dinner.

In August 2005, Penn released Mr. Hollywood Jr., 1947 on his own Mimeograph Records label. Its songs are set against the background of post-World War II Los Angeles; Penn said he chose the year because of several notable events that took place then, including the passage of the National Security Act and the invention of the transistor. The album was reissued by Legacy Recordings in April 2007 with bonus tracks from a KCRW session.

The reissue came in conjunction with Legacy's release of Palms and Runes, Tarot and Tea: A Michael Penn Collection, a compilation that includes several alternate versions and previously unreleased songs. Penn said his goal in compiling, ordering tracks for and producing Palms and Runes was to "make it feel like an album" in its own right.

In late 2009, Penn composed the music for the film That Evening Sun.

In 2012 Penn composed music for the HBO TV show "Girls".

Read more about this topic:  Michael Penn

Famous quotes containing the word career:

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)