Michael Golden (comics) - Career

Career

After starting his illustration career in commercial art, Golden broke into comics in late 1977, working on such DC Comics titles as Mister Miracle and Batman Family. In 1978, he made a splash with his work on Marvel's Micronauts. He drew a number of Marvel series throughout the 1970s and 1980s, including Doctor Strange, She-Hulk, the Howard the Duck black-and-white comics magazine, and The 'Nam. He drew covers for the licensed series G.I. Joe, ROM, and the lesser-known U.S. 1, Nomad, and The Saga of Crystar. Golden also penciled parts of the Marvel No-Prize Book . In the 2000s, he drew covers for DC Comics' Nightwing, Superman: The Man of Steel, and Vigilante.

Golden's art style later inspired a number of later comics creators, including Arthur Adams. Golden's work was also appropriated by Glenn Danzig as a logo for his bands Samhain and Danzig. Golden is an elusive figure, rarely given to interviews or revelations about his background and personal life. He is currently managed by Renee Witterstaetter (a former comics colorist, writer, and editor) of Eva Ink Publishing.

Read more about this topic:  Michael Golden (comics)

Famous quotes containing the word career:

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)