Criticism
Aljean Harmetz states that, "Curtiz's vision of any movie... was almost totally a visual one", and quotes him as saying, "Who cares about character? I make it go so fast nobody notices".
Sidney Rosenzweig argues that Curtiz did have his own distinctive style, which was in place by the time of his move to America: "high crane shots to establish a story's environment; unusual camera angles and complex compositions in which characters are often framed by physical objects; much camera movement; subjective shots, in which the camera becomes the character's eye; and high contrast lighting with pools of shadows". This style was not purely visual, but had the effect of highlighting the character's relationship to his environment; often this environment was identified with the fate in which the character was trapped. This entrapment then forces the "morally divided" protagonist to make a moral choice. While Rosenzweig accepts that almost every film involves such moral dilemmas to some extent, it is Curtiz's directorial decisions which place the element center stage in his films, albeit at an emotional rather than an intellectual level.
Read more about this topic: Michael Curtiz
Famous quotes containing the word criticism:
“It is from the womb of art that criticism was born.”
—Charles Baudelaire (18211867)
“In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.”
—Edgar Allan Poe (18091845)
“I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.”
—Gerard Manley Hopkins (18441889)