Michael Chiklis - Career

Career

After graduation, Chiklis moved to Brooklyn, New York City and was cast in the role of John Belushi in the controversial biopic Wired in 1989. The film was panned in general and flopped at the box office. He also guest starred in several popular television series such as Miami Vice, L.A. Law, Murphy Brown, and Seinfeld alongside bit parts in films like Nixon.

Chiklis's first successful role was in The Commish, a police comedy/drama that ran from 1991-1996 on ABC. Chiklis played Anthony "Tony" J. Scali, a police commissioner in a small city in upstate New York. A stern but lovable father figure, Chiklis's character had an easygoing style, smart wit, and an unorthodox approach to parenthood and police work. After The Commish, Chiklis starred in the short-lived and critically panned NBC sitcom Daddio.

After playing Curly Howard in a television movie about the Three Stooges, Chiklis decided to reinvent his image. With his wife's help, he spent six months on an extensive workout regimen and shaved his head. He turned up to audition for The Shield looking nothing like the pudgy, friendly character of The Commish. Winning over creator Shawn Ryan, Chiklis nabbed the leading role of the show's anti-hero, LAPD Detective Vic Mackey. Although The Shield was extremely controversial because of its violent content, Chiklis's performance was highly praised. His first major recognition came when he won the 2002 Emmy Award for Outstanding Lead Actor In A Drama Series for the role. Chiklis received a Golden Globe Award that same year for Best Performance by an Actor in a Television Series-Drama as well. Between 2004 and 2005, he was nominated for a Golden Globe for Best Actor in a Drama Series but did not win. Chiklis later parodied his role as Vic Mackey in "Monstourage," an episode of Robot Chicken. The skit involved Mackey accidentally switching places with Ben Grimm.

Since 2000, Chiklis has taken up a number of voice roles, voicing Chihiro's father, Akio, in the English dub of Hayao Miyazaki's Spirited Away and Roman/King Webster in the direct-to-video feature The Adventures of Tom Thumb and Thumbelina. He has also performed in several episodes of Family Guy and had a voice role in Heavy Gear: The Animated Series.

In 2005, he starred in Fantastic Four as Thing and reprised the role in its 2007 sequel, Fantastic Four: Rise of the Silver Surfer. Being a fan of the comic book series, he had dreamed of playing the character if ever there was a Fantastic Four movie being produced. Chiklis was often praised for his performance in a film that otherwise earned mixed reviews. His wife visited him on set during the filming but was not aware that he would be in his full bodysuit and makeup as The Thing; she was totally unprepared for seeing him like that and found it very distressing, having to be guided from the set in order to collect herself.

Chiklis had a role in the 2008 film Eagle Eye as the United States Secretary of Defense.

In the wake of Bernard Madoff scandal, Chiklis is developing a series at FX about a similar investment scheme. The project, called House of Cards, concerns a group committing an elaborate scam similar to the Madoff fraud. Chiklis had been developing the project since February 2008 after he and his wife became victims of a Ponzi scheme themselves. Cards will likely center on the leader of the scheme, with Chiklis planning to executive produce but not star.

Chiklis later starred in the ABC television series No Ordinary Family, which premiered on September 28, 2010, as part of the 2010-11 television season and ended in April, 2011. He currently co-stars in the CBS Crime drama Vegas.

Read more about this topic:  Michael Chiklis

Famous quotes containing the word career:

    I’ve been in the twilight of my career longer than most people have had their career.
    Martina Navratilova (b. 1956)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)