Michael Beddow - Works

Works

  • Ritchie Robertson, ed. (2002). "The Magic Mountain". The Cambridge companion to Thomas Mann. Cambridge University Press. ISBN 978-0-521-65370-1. http://books.google.com/books?id=s2VRTk60m9YC&pg=PA137&lpg=PA137&dq=Michael+Beddow&source=bl&ots=WFLGhJaQTY&sig=3QuOghNGmitqMCq6KmBTdTiozbY&hl=en&ei=2ESiS--7I4S0tgfM2cySCg&sa=X&oi=book_result&ct=result&resnum=8&ved=0CBYQ6AEwBzgK#v=onepage&q=Michael%20Beddow&f=false.
  • Thomas Mann, Doctor Faustus. Cambridge University Press. 1994. ISBN 978-0-521-37592-4. http://books.google.com/books?id=gqD4RpgDkiMC&printsec=frontcover&dq=Michael+Beddow&hl=en&ei=bEWiS-SgMoG0tgeQxd31CQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDUQ6AEwAA#v=onepage&q=&f=false.
  • Goethe, Faust I, Grant & Cutler, 1986, ISBN 978-0-7293-0261-6
  • The fiction of humanity: studies in the Bildungsroman from Wieland to Thomas Mann, Cambridge University Press, 1982, ISBN 978-0-521-24533-3

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Famous quotes containing the word works:

    “In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
    —Joseph De Maistre (1753–1821)

    “The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.”
    —Elizabeth Barrett Browning (1806–1861)

    “Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
    —Thomas Mann (1875–1955)