Meyer Lutz - Selected Works

Selected Works

  • The Charmed Harp (1852) (Surrey Theatre)
  • Faust and Marguerite (1855) (Surrey Theatre)
  • Blonde or Brunette (1862) (Royalty Theatre)
  • Felix, or The Festival of the Roses (1865) (Royalty Theatre)
  • Zaida, or, The Pearl of Granada (1868) (Liverpool)
  • The Miller of Milburg (1872) (Gaiety Theatre)
  • Legend of the Lys (1873) (cantata)
  • The Bohemian G-yurl and the Unapproachable Pole (1877) (Gaiety Theatre)
  • Robbing Roy (1879) (Gaiety Theatre)
  • The Forty Thieves (1880) (Gaiety Theatre)
  • Galatea, or Pygmalion Reversed (1883) (Gaiety Theatre)
  • Little Jack Sheppard (1885) (Gaiety Theatre)
  • Miss Esmeralda, or The Maid and the Monkey (1887) (Gaiety Theatre)
  • Frankenstein, or The Vampire's Victim (1887) (Gaiety Theatre)
  • Faust up to Date (1888) (Gaiety Theatre)
  • Ruy Blas and the BlasĂ© RouĂ© (1889) (in Birmingham, then at the Gaiety)
  • Carmen up to Data (1890) (in Liverpool, then at the Gaiety)
  • Cinder Ellen up too Late (1893) (Gaiety Theatre)
  • A Model Trilby, or A Day or Two after du Maurier (1895) (Opera Comique)

Read more about this topic:  Meyer Lutz

Famous quotes containing the words selected and/or works:

    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
    —Ralph Waldo Emerson (1803–1882)