Mermaid Series - The Best Plays of James Shirley

The Best Plays of James Shirley

Introduction by Edmund Gosse

The Witty Fair One - The Traitor - Hyde Park - The Lady of Pleasure - The Cardinal - The Triumph of Peace

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    When the doctrine of allegiance to party can utterly up-end a man’s moral constitution and make a temporary fool of him besides, what excuse are you going to offer for preaching it, teaching it, extending it, perpetuating it? Shall you say, the best good of the country demands allegiance to party? Shall you also say it demands that a man kick his truth and his conscience into the gutter, and become a mouthing lunatic, besides?
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)

    I suppose one has a greater sense of intellectual degradation after an interview with a doctor than from any human experience.
    —Alice James (1848–1892)

    The glories of our blood and state
    Are shadows, not substantial things;
    There is no armour against fate;
    Death lays his icy hand on kings:
    Sceptre and crown
    Must tumble down,
    And in the dust be equal made
    With the poor crooked scythe and spade.
    —James Shirley (1596–1666)