Mermaid Series - The Best Plays of James Shirley

The Best Plays of James Shirley

Introduction by Edmund Gosse

The Witty Fair One - The Traitor - Hyde Park - The Lady of Pleasure - The Cardinal - The Triumph of Peace

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    The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.
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    Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.
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    They stoop to fate,
    And must give up their murmuring breath,
    When they, pale captives, creep to death.
    —James Shirley (1596–1666)