Mermaid Series - The Best Plays of James Shirley

The Best Plays of James Shirley

Introduction by Edmund Gosse

The Witty Fair One - The Traitor - Hyde Park - The Lady of Pleasure - The Cardinal - The Triumph of Peace

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    At twenty-two, he’d been a cowboy, a rustler, one of the best in the Sprawl.... He’d operated on an almost permanent adrenaline high, a byproduct of youth and proficiency, jacked into a custom cyberspace deck that projected his disembodied consciousness into the consensual hallucination that was the Matrix.
    William Gibson b. (1948)

    The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.
    Henry Brooks Adams (1838–1918)

    This comes of James teaching me to think for myself, and never to hold back out of fear of what other people may think of me. It works beautifully as long as I think the same things as he does.
    George Bernard Shaw (1856–1950)

    They stoop to fate,
    And must give up their murmuring breath,
    When they, pale captives, creep to death.
    —James Shirley (1596–1666)