Merle Haggard - Sources

Sources

  • Di Salvatore, Bryan. (1998). "Merle Haggard". In The Encyclopedia of Country Music. Paul Kingsbury (ed.), New York: Oxford University Press. pp. 222–24
  • Di Salvatore, Bryan. "Ornery", The New Yorker, February 12, 1990, pp. 39–77
  • Fox, Aaron A. "White Trash Alchemies of the Abject Sublime: Country as 'Bad' Music", in Christopher J. Washburne and Maiken Derno (eds.), Bad Music: The Music We Love to Hate, New York: Routledge, 2004 (ISBN 0-415-94366-3)
  • Haggard, Merle, with Tom Carter. My House of Memories: For the Record. New York: HarperEntertainment, 1999
  • Haggard, Merle, and Peggy Russell. Sing Me Back Home. New York: Times Books, 1981

Read more about this topic:  Merle Haggard

Famous quotes containing the word sources:

    I count him a great man who inhabits a higher sphere of thought, into which other men rise with labor and difficulty; he has but to open his eyes to see things in a true light, and in large relations; whilst they must make painful corrections, and keep a vigilant eye on many sources of error.
    Ralph Waldo Emerson (1803–1882)

    My profession brought me in contact with various minds. Earnest, serious discussion on the condition of woman enlivened my business room; failures of banks, no dividends from railroads, defalcations of all kinds, public and private, widows and orphans and unmarried women beggared by the dishonesty, or the mismanagement of men, were fruitful sources of conversation; confidence in man as a protector was evidently losing ground, and women were beginning to see that they must protect themselves.
    Harriot K. Hunt (1805–1875)

    Even healthy families need outside sources of moral guidance to keep those tensions from imploding—and this means, among other things, a public philosophy of gender equality and concern for child welfare. When instead the larger culture aggrandizes wife beaters, degrades women or nods approvingly at child slappers, the family gets a little more dangerous for everyone, and so, inevitably, does the larger world.
    Barbara Ehrenreich (20th century)