Film Career
Cooper was head of production for RKO Radio Pictures from 1933 to 1935. He frequently collaborated with Ernest B. Schoedsack. Cooper was vice president in charge of production for Pioneer Pictures from 1934 to 1936, and vice president of Selznick International Pictures in 1936–1937, before moving to Metro-Goldwyn-Mayer.
Cooper started his film career with documentaries for Paramount Pictures such as Grass (1925) and Chang (1927), which combined real footage with staged sequences. In Chang, he used this technique to create a memorable finale featuring an elephant stampede. His movie The Four Feathers was filmed among the fighting tribes of the Sudan.
Throughout his career, Cooper was a proponent of technical innovation. The film King Kong, which he co-wrote, co-directed, and appeared in, was a breakthrough in this regard. Another outstanding film that he produced in trying to follow up on his success with King Kong was the 1935 film She. Additionally, Cooper helped pave the way for such ground-breaking technologies as Technicolor and the widescreen process Cinerama.
Cooper and his friend and frequent collaborator, noted director John Ford, formed Argosy Productions in 1947 and produced such notable films as Wagon Master (1950), Rio Grande (1950), The Quiet Man (1952), and The Searchers (1956).
Read more about this topic: Merian C. Cooper
Famous quotes containing the words film and/or career:
“Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.”
—Igor Stravinsky (1882–1971)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)