Mercedes-Benz 450SEL 6.9 - Price and Interior Features

Price and Interior Features

All of this technology came at a very high price. At a time when the most expensive Cadillacs, the mid-sized Seville and full-sized Cadillac Fleetwood Series Seventy-Five limousine each listed for about US$16,000, the 6.9 listed for around $40,000, more than the Big Three but less than most Rolls-Royces. When the car was officially introduced into the North American market for the 1977 model year, the price was well past $40,000 and was $52,995 by the end of production. The only way to get a 6.9 in the US or Canada prior to 1977 was to import one through the grey market. Though the 6.9 was undeniably a luxury car, it was a rather austere one compared to the sheer opulence available in a Rolls-Royce or full-sized Cadillac. The interior was identical to that in the less expensive models except for the push-pull suspension control knob just under the speedometer, a low suspension pressure warning and height adjustment indicator lights in the instrument cluster, and wood trim finished in burled walnut veneer on the dash and console. The rest of the W116 lineup was trimmed in striated zebrano veneer.

The 6.9 lacked expected luxury touches such as power-adjustable outside mirrors or front seats, although a unique power rear seat, heated seats and even orthopedically designed front seats were options. Buyers outside North America could also opt for headlight wipers and washers and/or headlights with a special vacuum-operated linkage whose aim could be adjusted at the dash depending on vehicle load. There was also a new standard feature in 1976: most Mercedes-Benz automobiles that year were equipped with a sophisticated electronic climate control system developed by Chrysler Corporation for use in their top models. The system turned on the heater, air conditioner or both, depending on the thermostat's setting and ambient temperature, automatically maintaining whatever temperature the driver selected. The compressor was an American import as well, supplied by the Harrison division of General Motors.

Far more modern than the contemporary Cadillac, which still had a live rear axle, and both faster and larger inside than the either the Rolls-Royce or Cadillac, the 6.9 was indistinguishable from its W116 stablemates save for a modest "6.9" badge on the decklid and wider tires. US models also had different bumper rubbers fitted to the "park bench" impact absorbing bumpers. As discreet as the badge was, it could be deleted/ordered with option 261 omission of the displacement figure on the trunk lid at extra cost for those who wanted to avoid attention either from drivers of other high-performance cars or from law enforcement. In the words of David E. Davis, the 6.9 was "a $50,000 exercise in going fast."

Still, for fans of the discontinued 6.3 or for those who simply had to have a car which Car and Driver proclaimed to be "the greatest Mercedes-Benz ever built," it seemed that money was no object. At its launch in 1975, the 450SEL 6.9 cost DM 69,930. In the last year of production, 1979, the car was available at a price of DM 81,247. Even though this was far from inexpensive, the courage of the Mercedes-Benz strategists in launching the car onto the market paid off. A total of 7,380 units were built by 1980, and most of these were exported to the USA. This volume figure looks rather small at first glance, but production figures tend to be significantly smaller in the top luxury segment where this model competes. Also, the 6.9 was not the only S-Class model, and was purchased by the rich, the famous, and the powerful despite the rising cost of gasoline brought on by the Arab oil embargo. Thus, the 7,380 total sales volume is quite respectable once the price and contemporary economic climate are taken into account.

Read more about this topic:  Mercedes-Benz 450SEL 6.9

Famous quotes containing the words price, interior and/or features:

    The price on the wanted
    poster was a-going down, outlaw alias copped my stance
    and moody greenhorns were making me dance; while my mouth’s
    shooting iron got its chambers jammed.
    Ishmael Reed (b. 1938)

    Those who sit in a glass house do wrong to throw stones about them; besides, the American glass house is rather thin, it will break easily, and the interior is anything but a gainly sight.
    Emma Goldman (1869–1940)

    Art is the child of Nature; yes,
    Her darling child, in whom we trace
    The features of the mother’s face,
    Her aspect and her attitude.
    Henry Wadsworth Longfellow (1807–1882)