Acting Career
In the early to mid 1990s, Chisholm made several appearances in television commercials and music videos while trying to pursue her music career. It was not until The Spice Girls became popular that she made regular television appearances and played herself in many commercials. In 1997, Chisholm's feature film debut came in Spiceworld The Movie playing herself alongside her bandmates. In 2000, Chisholm played herself in an episode of The Norm Show while promoting her Spice Girls' third studio album Forever.
She revealed in an interview with Nylon Magazine in December 2009, that she is interested in pursuing a serious acting career in film. In 2008 it was planned she would star in a sequel to the 1996 horror film The Craft, but filming was terminated.
In 2009, Chisholm signed to perform the role of Mrs. Johnstone in the musical Blood Brothers by Willy Russell in London's West End. She performed the role for 6 months, commencing November 2009. She was nominated for the Best Actress in a Musical category at the 2010 Laurence Olivier Awards. Melanie reprised the role for a limited 2 week engagement at the Liverpool Empire Theatre in November 2010.
Chisholm will co-star in a UK arena tour of the musical Jesus Christ Superstar, playing the role of Mary Magdalene. She was also a judge on Superstar, the ITV talent show looking for the lead role in the musical.
Read more about this topic: Melanie Chisholm
Famous quotes containing the words acting and/or career:
“It would be easy ... to regard the whole of world 3 as timeless, as Plato suggested of his world of Forms or Ideas.... I propose a different view—one which, I have found, is surprisingly fruitful. I regard world 3 as being essentially the product of the human mind.... More precisely, I regard the world 3 of problems, theories, and critical arguments as one of the results of the evolution of human language, and as acting back on this evolution.”
—Karl Popper (1902–1994)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)