Poetry
Meera's songs are in a simple form called a ch' (verse), a term used for a small spiritual song, usually composed in simple rhythms with a repeating refrain, collected in her Padavali. The extant versions are in a Rajasthani and Braj, a dialect of Hindi spoken in and around Vrindavan (the childhood home of Krishna), sometimes mixed with Rajasthani.
- That dark dweller in Braj
- Is my only refuge.
- O my companion, worldly comfort is illusion,
- As soon you get it, it goes.
- I have chosen the indestructible for my refuge,
- Him whom the snake of death will not devour.
- My beloved dwells in my heart all day,
- I have actually seen that abode of joy.
- Meera's lord is Hari, the indestructible.
- My lord, I have taken refuge with you, your maidservant
Although Meera is often classed with the northern Sant bhaktis who spoke of a formless divinity,there is no doubt that she presents Krishna as the historical master of the Bhagavad Gita who is, even so, the perfect Avatar of the eternal, who is omnipresent but particularly focused in his icon and his temple. She speaks of a personal relationship with Krishna as her lover, lord and master. The characteristic of her poetry is complete surrender. Her longing for union with Krishna is predominant in her poetry: she wants to be "coloured with the colour of dusk" (the symbolic colour of Krishna).Her style of literature is mainly Rajasthani mixed with Brij language. But one can also see a hint of Gujarati as well as Punjabi in her writings.
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