Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| Metacritic | 88% |
| Review scores | |
| Publication | Score |
| 1UP.com | B+ |
| GameSpot | 8.8/10 |
| GameSpy | |
| IGN | 8.8/10 |
| PC Gamer UK | 94% |
| PC Gamer US | 90% |
The exclusive review was given to PC Gamer (US), which awarded it an "Editor's Choice" 90%. In its December 2006 issue, PC Gamer (UK) reviewed the game, hailing it as the "new king of war games". The graphics and depth of gameplay were highly praised and the game received a score of 94%. IGN gave the game 8.8/10, saying that the game was not as revolutionary as its predecessor, but still introduces some new ideas and builds on others from Rome: Total War, which would still be enough for anybody to buy it. GameSpot also rated the game 8.8/10, noting its "epic, engrossing gameplay" whilst criticising its "beefy system requirements". The Australian magazine PC PowerPlay gave the game a rarely awarded perfect score of 10/10 due to the sheer amount of content the game contained and the next generation graphics. Hyper's Anthony Fordham commends the game for its "incredible gameplay, both in battle and on the world map". However, he criticised it for being "more a refinement of the series than a huge leap forward".
Swedish historian and member of the Swedish Academy Peter Englund reviewed the game for Swedish newspaper Dagens Nyheter where he made comparisons to traditional battle depicitions such as old copper engravings and paintings, and the more recent film medium. In the review, Englund concluded that Medieval II represents a form of battle depiction amazingly similar to an engraving from the 1600s.
Although most reviews were positive, some reviews have noted negative aspects of the game such as pathfinding bugs, some AI problems and some uninteresting new features.
Read more about this topic: Medieval II: Total War
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)