Media Portrayal of Lesbianism - Cinema

Cinema

See also: Category:Lesbian-related films and List of lesbian, gay, bisexual or transgender-related films

The first lesbian-themed feature film was Mädchen in Uniform (1931), based on a novel by Christa Winsloe and directed by Leontine Sagan, tracing the story of a schoolgirl called Manuela von Meinhardis and her passionate love for a teacher, Fräulein von Bernburg. It was written and mostly directed by women. The impact of the film in Germany's lesbian clubs was overshadowed, however, by the cult following for The Blue Angel (1930).

Until the early 1990s, any notion of lesbian love in a film almost always required audiences to infer the relationships. The lesbian aesthetic of Queen Christina (1933) with Greta Garbo has been widely noted, even though the film is not about lesbians. Alfred Hitchcock's Rebecca (1940), based on the novel by Daphne du Maurier, referred more or less overtly to lesbianism, but the two characters involved were not presented positively: Mrs. Danvers was portrayed as obsessed, neurotic and murderous, while the never-seen Rebecca was described as having been selfish, spiteful and doomed to die. All About Eve (1950) was originally written with the title character as a lesbian but this was very subtle in the final version, with the hint and message apparent to alert viewers.

Playwright Lillian Hellman's first play, The Children's Hour (1934) was produced on Broadway. Set in a private girls' boarding school, the headmistress and a teacher are the targets of a malicious whispering campaign of insinuation by a disgruntled schoolgirl. They soon face public accusations of having a lesbian relationship. The play was nominated for a Pulitzer prize, banned in Boston, London, and Chicago and had a record-breaking run of 691 consecutive performances in New York. A 1961 screen adaptation starred Audrey Hepburn and Shirley MacLaine. The play's deep and pervasively dark themes and lesbian undertones have been widely noted.

Mainstream films with openly lesbian content, sympathetic lesbian characters and lesbian leads began appearing during the 1990s. By 2000 some films portrayed characters exploring issues beyond their sexual orientation, reflecting a wider sense that lesbianism has to do with more than sexual desire.

Speaking at the Bombay Academy of Moving Images, Nisha Ganatra revealed that Bend It Like Beckham was originally intended to have a more overt lesbian theme by Gurinder Chadha. Notably, Gurinder Chadha previously directed the film What's Cooking, which featured Julianna Margulies and Kyra Sedgwick as a lesbian couple. Chadha is claimed to have softened the lesbian angle, to a case of "crossed wires" and jokes like "Lesbian? Her birthday's in March. I thought she was a Pisces," to make the film more marketable - something which has not gone down well with all gay reviewers. However, Jess' male friend Tony was retained as a sympathetic gay character. Bend it like Beckham also won an award for "Outstanding Film" from the Gay & Lesbian Alliance Against Defamation

Notable mainstream theatrical releases included Bound (1996), Chasing Amy (1997), Wild Things (1998), Kissing Jessica Stein (2001), Lost and Delirious (2001), Mulholland Drive, Monster (2003), D.E.B.S (2004), Rent (2005, based on the Jonathan Larson musical), My Summer of Love (2004), Loving Annabelle (2006) and Imagine Me & You (2005). There have also been many non-English language lesbian films, such as Fire (India, 1996), Show Me Love (Sweden, 1998), Aimée & Jaguar (Germany, 1999), Blue (Japan, 2001), The Mars Canon (Japan, 2002), Blue Gate Crossing (Taiwan, 2004), Butterfly (Hong Kong, 2004), Love My Life (Japan, 2006) and Les filles du botaniste (France/Canada, 2006).

Read more about this topic:  Media Portrayal Of Lesbianism

Famous quotes containing the word cinema:

    The cinema is going to form the mind of England. The national conscience, the national ideals and tests of conduct, will be those of the film.
    George Bernard Shaw (1856–1950)

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)

    Strangers used to gather together at the cinema and sit together in the dark, like Ancient Greeks participating in the mysteries, dreaming the same dream in unison.
    Angela Carter (1940–1992)