Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | (PS) 85.65% (GBA) 49.67% |
| Metacritic | (PS) 86/100 (GBA) 46/100 |
| Review scores | |
| Publication | Score |
| GameSpot | (PS1) 7.6/10 |
The PlayStation version of Medal of Honor: Underground was met with positive reviews. It received a 85.65% on GameRankings and 86/100 on Metacritic.
The Game Boy Advance version of Medal of Honor: Underground was met with negative reviews. It received a 49.67% on GameRankings and 46/100 on Metacritic.
GameSpot praises the gamemakers for taking "a character from the original game named Manon Batiste and" placing "her in the lead role so that her full story can be told. This setting is a welcome change, as Underground provides a meaningful historical context that's rare in most video games today." William Abner similarly describes the game as "a refreshing change of pace because you played Manon Batiste, a woman enlisted in the French Resistance." RealPoor ranks her among the 12 Best Female Characters in Video Games, declaring that we "know Manon as a French resistance woman who appeared as an advisor in the first MoH game. In the sequel for PlayStation called Medal of Honor: Underground, she is the main character who takes on covert missions in occupied Europe and Africa."
Read more about this topic: Medal Of Honor: Underground
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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