Plot
Danny Meehan, a former captain of the English national football team who was banned from football for life for fixing a match between England and Germany, is sentenced to three years in Longmarsh prison for assaulting two police officers after a lengthy drinking session and driving wildly to a local bar.
Once inside, he is promptly beaten by the prison guards for misbehaving, and is subsequently approached by the prison governor. The governor offers Meehan a job as coach of the prison wardens' football team; the guards who are members of the team, tell Meehan not to accept and threaten to maltreat him if he does so. Meehan declines the offer, and instead offers to train a team consisting of other inmates, who will take on the wardens in a practice match.
Meehan ends up with the resident contraband dealer, Massive, as his right-hand man. He also receives advice from an elderly convict, Doc, who teaches Meehan prison lore. Meehan wins the respect of the other inmates after he attacks an officer, Mr. Ratchett, who is attacking Massive, and is then occupied with the task of training up his team of cons, including a maximum-security con named Monk (Jason Statham) a violent Scottish inmate.
At half time, the inmates' team, Mean Machine is winning 1-0, and things are going well until the governor attempts to blackmail Meehan into throwing the match. At first he puts his own interests before that of the team's, playing quite badly but as the final moments of the game tick down, he redeems himself, and uses a square-ball to fellow inmate 'Billy the Limpet' (Danny Dyer) to win the game for the cons.
Read more about this topic: Mean Machine (film)
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)