Style
Tyner's style of piano is easily comparable to Coltrane's maximalist style of saxophone. Though a member of Coltrane's group, he was never overshadowed by the saxophonist, but complemented and even inspired Coltrane's open-minded approach. Tyner is considered to be one of the most influential jazz pianists of the 20th century, an honor he earned both with Coltrane and in his years of performing following Coltrane's death.
Though playing instruments of vastly different versatility, both Tyner and Coltrane utilize similar scales, chordal structures, melodic phrasings, and rhythms. Tyner's playing can be distinguished by a low bass left hand, in which he tends to raise his arm relatively high above the keyboard for an emphatic attack; the fact that Tyner is left-handed may contribute to this distinctively powerful style. Tyner's unique right-hand soloing is recognizable for a detached, or staccato, quality. His melodic vocabulary is rich, ranging from raw blues to complexly superimposed pentatonic scales; his unique approach to chord voicing (most characteristically by fourths) has influenced a wide array of contemporary jazz pianists, most notably Chick Corea. Other instruments included the Appalachian dulcimer.
Read more about this topic: McCoy Tyner
Famous quotes containing the word style:
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describescountrysides and figures, movements and gestureshow could he have a style, that is originality?”
—Rémy De Gourmont (18581915)
“It is the style of idealism to console itself for the loss of something old with the ability to gape at something new.”
—Karl Kraus (18741936)
“The old saying of Buffons that style is the man himself is as near the truth as we can getbut then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (18351902)