Mythology
There is considerable diversity in recent religious narrative, which embraces stereotypical, moralizing stories about encounters with mountain spirits and supernatural 'Owners', as well as myths concerning heroes and deities. Particularly in tales concerned with the creation of the earth and the origin of useful plants, a reworking of Catholic imagery is often noticeable. Among the best-known myths are those about the opening of the Maize Mountain by the Lightning deities, the struggle of Sun and his Elder Brethren, and the marriage of Sun and Moon. The early-colonial Quichean Twin myth, set out in the Popol Vuh, has not been transmitted, although fragments are recognizable in recent narrative; the name of one of its heroes, Xbalanque, was around the turn of the 20th century still known in the Alta Verapaz. Early creation mythology is found in the Popol Vuh and in some of the Books of Chilam Balam.
Notwithstanding the progress in hieroglyphic decipherment, the most important sources for Classic mythology are still scenes painted on pottery (the so-called 'ceramic codex') and monumental iconography. The two principal narratives recognized thus far are about demi-gods close to humanity (the Hero Twins and the principal Maya maize god), and have to be reconstructed from scenes in which often, narrative and ritual concerns are intertwined.
Read more about this topic: Maya Religion
Famous quotes containing the word mythology:
“In the United States there’s a Puritan ethic and a mythology of success. He who is successful is good. In Latin countries, in Catholic countries, a successful person is a sinner.”
—Umberto Eco (b. 1932)
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)
“Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
—Germaine Greer (b. 1939)