History
Max was born into a very musical family. His father, Fredro Perry, a drummer, songwriter, producer, and independent label owner, has gained success and has toured worldwide with his band, The Brooklyn Cowboys. His uncle, Richard Perry, is one of the most successful record producers of all time, and was twice named Billboard Record Producer of the Year, producing artists like Ringo Starr, Rod Stewart, Harry Nilsson, Carly Simon, The Pointer Sisters, Barbra Streisand, Diana Ross, Tina Turner, Ray Charles, Fats Domino, Patti La Belle, and The Temptations to name a few. And his brother/partner, Gennessee, who has done countless co-writes with Max, has worked with artists such as Mac Dre, One Block Radius, Too Short, Hell Rell, Paul Wall, AZ, and Chino Xl.
Carving out his own spot in music, Max has worked with many artists from his hometown of New York such as Jim Jones, Prodigy, AZ, Sheek Louch, Tru-Life, Hell Rell, Max B, 40 Cal, and Paul Cain.The West Coast has also figured prominently in Max's career. Traveling to California frequently since he was a teenager to work with his brother/partner Gennessee eventually led to working with artists like Mistah F.A.B, San Quinn, Killa Tay, B-Legit, Matt Blaque, Goldie Gold, Berner, Haji Springer, Cousin Fik, and Global.
In 2009, Max had the honor of producing 3 tracks for the American Gangster: Mac Dre and the Romper Room Gang episode, which aired on BET in January 2009. Future plans include new projects with Brisco, Nipsey Hussle, Baby Bash, Gorilla Zoe, B-Legit, Jody Breeze, and Matt Blaque.
Read more about this topic: Maxwell Smart (record Producer)
Famous quotes containing the word history:
“My good friends, this is the second time in our history that there has come back from Germany to Downing Street peace with honour. I believe it is peace for our time. We thank you from the bottom of our hearts. And now I recommend you to go home and sleep quietly in your beds.”
—Neville Chamberlain (1869–1940)
“The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.”
—Terri Apter (20th century)
“The principal office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.”
—Tacitus (c. 55–c. 120)