Max Steiner - Early Life

Early Life

Steiner was born in Austria-Hungary, in the Hotel Nordbahn (since 2008 Austria Classic Hotel Wien) on Praterstraße 72, in Vienna's Leopoldstadt. Later in life he purportedly discovered a half-brother named James Owen, with whom he co-wrote the song "Theme from A Summer Place". His paternal grandfather was Maximilian Steiner (1830–1880), the influential manager of Vienna's Theater an der Wien; his father was Gabor Steiner (1858–1944), Viennese impresario and carnival and exposition manager, responsible for the Ferris wheel in the Prater that would become the setting for a key scene of the film The Third Man (1949); his godfather was the composer Richard Strauss.

A child prodigy in composing, Steiner received piano instruction from Johannes Brahms and, at the age of sixteen, enrolled at the Imperial Academy of Music (now known as the University of Music and Performing Arts), where he was taught by Gustav Mahler among others. His musical aptitudes enabled him to complete the school's four-year program in only two. At the age of 16, Steiner wrote and conducted the operetta The Beautiful Greek Girl. At the start of World War I, he was working in London and was classified as an enemy alien but was befriended by the Duke of Westminster and given exit papers. He arrived in New York City in December 1914 with $32 to his name.

Steiner worked in New York for eleven years as a musical director, arranger, orchestrator, and conductor of Broadway operettas and musicals written by Victor Herbert, Jerome Kern, Vincent Youmans, and George Gershwin, among others. Steiner's credits include: George White's Scandals (1922), Lady, Be Good (1924), and Rosalie (1928).

In 1929, Steiner went to Hollywood to orchestrate the European film version of the Florenz Ziegfeld show Rio Rita for RKO. The score for King Kong (1933) made Steiner's reputation; it was one of the first American films to have an extensive musical score (it was re-used in a number of RKO films, including Back to Bataan.) He conducted the scores for several Fred Astaire-Ginger Rogers musicals, including Top Hat (1935) and Roberta (1935).

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