Max Miller (jazz Musician) - Early Career

Early Career

Multi-instrumentalist Max Miller was born on November 17, 1911 in East Chicago, Indiana. He learned banjo at an early age and played that in the East Chicago, Indiana high school band. He started playing professionally after joining the Musicians Union at age 16. In 1927, he switched to guitar and played with numerous local bands in the Indiana/Michigan area, playing primarily dixieland jazz. He moved to Chicago in the early 1930s and worked gigs as a drummer and string bassist and it was at this time that he started experimenting with the vibraphone. From this time on he worked with numerous bands around Chicago playing guitar, piano and vibes, including gigs as guitarist in a group with a constantly changing lineup that included pianist Kansas City Frank Melrose and drummer Dave Tough. Before long he was touring as guitarist and featured vibraphonist with the Vincent Lopez Orchestra, with Betty Hutton as vocalist. It was during this period of traveling the big band circuit that he began to concentrate on the vibes and began learning piano. He made his greatest impact as a musician when he switched to those two instruments. In 1937, at age 26, he left Lopez to become musical director at WIND radio, where he stayed for two years, performing 21 live shows a week, much of it original compositions.

Read more about this topic:  Max Miller (jazz Musician)

Famous quotes containing the words early and/or career:

    Foolish prater, What dost thou
    So early at my window do?
    Cruel bird, thou’st ta’en away
    A dream out of my arms to-day;
    A dream that ne’er must equall’d be
    By all that waking eyes may see.
    Thou this damage to repair
    Nothing half so sweet and fair,
    Nothing half so good, canst bring,
    Tho’ men say thou bring’st the Spring.
    Abraham Cowley (1618–1667)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)