Biography
Born William Seward Folkard in Stockton-on-Tees, Elvey began his career as an actor at the age of 17. He quickly rose to directing and producing plays and established his own theatrical company before switching to films with The Great Gold Robbery in 1913. He directed a wide array of popular features in a variety of genres, including comedy, drama, literary adaptations – including Robert Louis Stevenson's The Suicide Club (1914) and a version of William Shakespeare's As You Like It entitled Love in a Wood (1916) – and biographical profiles of such luminaries as Florence Nightingale and Lord Nelson. The Life Story of David Lloyd George, suppressed for political reasons just prior to its release in 1918, had its world premiere in Cardiff in May 1996 and was hailed by critics and film historians as one of the best silent films produced in the UK.
In 1921, Elvey directed 16 shorts and one full-length feature film (The Hound of the Baskervilles) with Ellie Norwood as Sherlock Holmes. The actor was Arthur Conan Doyle's favorite among those who portrayed his literary sleuth.
Elvey worked with such performers as Leslie Howard, Gracie Fields, Claude Rains, Alastair Sim, Leslie Banks, and Fay Wray, and mentored future directors Carol Reed and David Lean. In 1944, he was charmed by Petula Clark when he saw her perform at the Royal Albert Hall, and he launched her film career by casting her as a precocious waif in his wartime drama Medal for the General. The two collaborated on three additional films.
Elvey was married three times, to actress Philippa Preston, sculptor Florence Hill Clarke, and actress Isobel Elsom, whom he met on the set of The Wandering Jew in 1923. The couple went on to make eight films together.
The loss of an eye and failing health prompted Elvey's retirement at the age of 70. Ten years later he died in Brighton.
Read more about this topic: Maurice Elvey
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“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)