Matthew Vaughn - Works

Works

Year Film Credit Notes Ref.
1995 The Innocent Sleep Producer
1998 Lock, Stock and Two Smoking Barrels Producer, actor (cameo) Nominated – BAFTA Awards: Alexander Korda Award for Best British Film
2000 Snatch Producer
2000 Lock, Stock... (TV series) Executive producer
2001 Mean Machine Producer
2002 Swept Away Producer
2003 Swag (TV series) Executive producer
2003 Make My Day (TV series documentary) Executive producer (5 episodes)
2003 A Short Film About John Bolton (short) Producer
2004 Layer Cake Director, producer Empire Award for Best British Director
Nominated – BAFTA Awards: Carl Foreman Award for the Most Promising Newcomer
Nominated – Douglas Hickox Award – British Independent Film Awards
Nominated – Empire Award for Best Newcomer
2007 Stardust Director, screenwriter (with Jane Goldman) and producer Hugo Award for Best Dramatic Presentation, Long Form
2009 Harry Brown Producer
2010 Kick-Ass Director, screenwriter (with Jane Goldman) and producer Writers' Guild of Great Britain Award for Best Original Screenplay
Nominated – Broadcast Film Critics Association Award for Best Action Movie
Nominated – British Independent Film Award for Best Director
Nominated – British Independent Film Award for Best Screenplay
Nominated – Empire Award for Best Director
Nominated – European Film Award for Best Film
Nominated – Evening Standard British Film Award for Best Film
Nominated – Evening Standard British Film Award for Best Screenplay
Nominated – SFX Award for Best Film
2010 Kick-Ass: The Game Producer
2011 The Debt Screenwriter (with Jane Goldman and Peter Straughan) and producer Remake of the 2007 Israeli movie HaHov
2011 X-Men: First Class Director and screenwriter (with Jane Goldman, Ashley Edward Miller & Zack Stentz) SFX Award for Best Director
2013 Kick-Ass 2 Producer
2014 X-Men: Days of Future Past Screenwriter (with Jane Goldman and Simon Kinberg), producer
2014 Brilliant (short) Director

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    ...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?
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    The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?
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