Criticism
Commentators have often read the text as autobiographical, the three central characters standing for William Godwin, Mary Shelley, and Percy Shelley. The storyline itself, however, is not autobiographical. Analysis of Matilda's first draft, titled "The Fields of Fancy", reveals that Mary Shelley took as her starting point Mary Wollstonecraft's unfinished "The Cave of Fancy", in which a small girl's mother dies in a shipwreck. Like Mary Shelley herself, Matilda idealises her lost mother. According to editor Janet Todd, the absence of the mother from the last pages of the novel suggests that Matilda's death renders her one with her mother, enabling a union with the dead father. Critic Pamela Clemit resists a purely autobiographical reading and argues that Mathilda is an artfully crafted novel, deploying confessional and unreliable narrations in the style of her father, as well as the device of the pursuit used by Godwin in his Caleb Williams and by Mary Shelley in Frankenstein. The novel's 1959 editor, Elizabeth Nitchie, noted the novel's faults of "verbosity, loose plotting, somewhat stereotyped and extravagant characterization" but praised a "feeling for character and situation and phrasing that is often vigorous and precise".
The story may be seen as a metaphor for what happens when a woman, ignorant of all consequences, follows her own heart while dependent on her male benefactor.
Read more about this topic: Mathilda (novella)
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