Musical Style
In Kerrang!, Master's Hammer's style was described as "fusing Thrash with classical themes", and The Jilemnice Occultist was called "an operetta in three acts featuring such extraordinary titles as 'That Magnificent Deer Has Vanished In The Bush' and 'I Don't Want, Sirs to Pester Your Ears'". Götz Kühnemund from German Rock Hard magazine compared the concept album The Jilemnice Occultist to King Diamond although Master's Hammer's style was "considerably more uncompromising", but the vocals "sound like a mixture of deep King Diamond voices and Quorthon's guttural grunts", Bathory being an obvious influence although Master's Hammer have a sound of their own including keyboards, classical instruments and orchestral passages.
On Šlágry, the band "virtually abandoned the operatic black metal of previous releases in favor of modernist electronic music" and "shares publishing credits with Carl Czerny, Otto Katz, and Giuseppe Verdi, mixing bits of metal, folk, and musique concrète into a style based on the classical avant-garde".
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Famous quotes containing the words musical and/or style:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
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