Master of the Queen's Music (or Master of the King's Music) is a post in the Royal Household of the Sovereign of the United Kingdom. The holder of the post originally served the monarch of England.
The post is roughly comparable to that of Poet Laureate. It is given to people eminent in the field of classical music; they have almost always been composers (George Frederick Anderson was one exception; he was a violinist who is not known to have ever composed any music). Duties are not clearly stated, though it is generally expected the holder of the post will write music to commemorate important royal events, such as coronations, birthdays, anniversaries, marriages and deaths, and to accompany other ceremonial occasions. The individual may also act as the Sovereign’s adviser in musical matters.
Read more about Master Of The Queen's Music: The King's Musick, The First Masters of The King's Musick, Appointments of Edward Elgar and Walford Davies, Current Appointment, Records, Holders of The Post
Famous quotes containing the words master of, master, queen and/or music:
“God bless the master of this house,
Likewise the mistress too:”
—Unknown. God Bless the Master of This House (l. 1–2)
“There is between sleep and us something like a pact, a treaty with no secret clauses, and according to this convention it is agreed that, far from being a dangerous, bewitching force, sleep will become domesticated and serve as an instrument of our power to act. We surrender to sleep, but in the way that the master entrusts himself to the slave who serves him.”
—Maurice Blanchot (b. 1907)
“Just as the queen bee, the highest-ranking, peerless creature of her hive, is surrounded by lowly drones to please her, whereas the workers produce honey, the same way is the one who sits on the throne an equal only to himself, and no one’s companion.”
—Franz Grillparzer (1791–1872)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)