Masters of The Order
- Saint Dominic (1216 -1221)
- Jordan of Saxony (1222–1237)
- Raymond of Penyafort (1238–1240)
- Johannes von Wildeshausen (1241–1252)
- Humbert de Romans (1254–1263)
- Giovanni da Vercelli (1264–1283)
- Munio de Zamora (1285–1291)
- Étienne de Besançon (1292–1294)
- Niccolò Boccasini (1296–1298)
- Albertus de Chiavari (1300)
- Bernard de Jusix (1301–1303)
- Aymericus Giliani (1304–1311)
- Béranger de Landore (1312–1317)
- Hervé de Nédellec (1318–1323)
- Barnaba Cagnoli (1324–1332)
- Hugh de Vaucemain (1333–1341)
- Gerard de Daumar (1342)
- Pierre de Baume (1343–1345)
- Garin de Gy (1346–1348)
- Jean de Moulins (1349–1350)
- Simon de Langres (1352–1366)
- Elias Raymond (1367–1380)
- Raimondo delle Vigne (1380–1399)
- Tommaso Paccaroni (1401–1414)
- Leonardo Dati (1414–1425)
- Barthélémy Texier (1426–1449)
- Pierre Rochin (1450)
- Guy Flamochet (1451)
- Marcial Auribelli (1453–1462)
- Corrado di Asti (1462–1465)
- Marcial Auribelli (1465–1473)
- Leonardo Mansueti (1474–1480)
- Salvo Cassetta (1481–1483)
- Bartolomeo Comazzi (1484–1485)
- Barnaba Sansoni (1486)
- Gioacchino Torriani (1487–1500)
- Vincenzo Bandello (1501–1506)
- Jean Clérée (1507)
- Tommaso de Vio (1508–1518)
- Juan García de Loaysa (1518–1524)
- Francesco Silvestri (1525–1528)
- Paolo Butigella (1530–1531)
- Jean du Feynier (1532–1538)
- Agostino Recuperati (1539–1540)
- Alberto de las Casas (1542–1544)
- Francesco Romeo (1546–1552)
- Stefano Usodimare (1553–1557)
- Vincenzo Giustiniani (1558–1570)
- Serafino Cavalli (1571–1578)
- Paolo Constabile (1580–1582)
- Sisto Fabri (1583–1589)
- Ippolito Maria Beccaria (1589–1600)
- Jerónimo Xavierre (1601–1607)
- Agostino Galamini (1608–1612)
- Serafino Secchi (1612–1628)
- Niccolò Ridolfi (1629–1642)
- Tommaso Turco (1644–1649)
- Giovanni Battista de Marinis (1650–1669)
- Juan Tomás de Rocaberti (1670–1677)
- Antonio de Monroy (1677–1686)
- Antonin Cloche (1686–1720)
- Agustín Pipia (1721–1725)
- Tomás Ripoll (1725–1747)
- Antonin Brémond (1748–1755)
- Juan Tomás de Boxadors (1756–1777)
- Baltasar de Quiñones (1777–1798)
- Pio Giuseppe Gaddi (1798–1819)
- Joaquín Briz (1825–1831)
- Francesco Ferdinando Jabalot (1832–1834)
- Benedetto Maurizio Olivieri (1834–1835)
- Tommaso Giacinto Cipolletti (1835–1838)
- Angelo Ancarani (1838–1844)
- Vincenzo Ajello (1844–1850)
- Vincent Jandel (1850–1872)
- Giuseppe M. Sanvito (1873–1879)
- José Maria Larroca (1879–1891)
- Andreas Frühwirth (1891–1904)
- Hyacinthe-Marie Cormier (1904–1916)
- Ludwig Theissling (1916–1925)
- Buenaventura García de Paredes (1926–1929)
- Martin Gillet (1929–1946)
- Manuel Suárez (1946–1954)
- Michael Browne (1955–1962)
- Aniceto Fernández Alonso (1962–1974)
- Vincent de Couesnongle (1974–1983)
- Damian Byrne (1983–1992)
- Timothy Radcliffe (1992–2001)
- Carlos Azpiroz Costa (2001–2010)
- Bruno Cadoré (2010–present)
Read more about this topic: Master Of The Order Of Preachers
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“The trade of advertising is now so near perfection that it is not easy to propose any improvement. But as every art ought to be exercised in due subordination to the public good, I cannot but propose it as a moral question to these masters of the public ear, whether they do not sometimes play too wantonly with our passions.”
—Samuel Johnson (1709–1784)
“It is only a short step from exaggerating what we can find in the world to exaggerating our power to remake the world. Expecting more novelty than there is, more greatness than there is, and more strangeness than there is, we imagine ourselves masters of a plastic universe. But a world we can shape to our will ... is a shapeless world.”
—Daniel J. Boorstin (b. 1914)
“The trade of advertising is now so near perfection that it is not easy to propose any improvement. But as every art ought to be exercised in due subordination to the public good, I cannot but propose it as a moral question to these masters of the public ear, whether they do not sometimes play too wantonly with our passions.”
—Samuel Johnson (1709–1784)
“Oh, Blessed rage for order, pale Ramon,
The maker’s rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.”
—Wallace Stevens (1879–1955)