Master of The Amsterdam Death of The Virgin

The Master of the Amsterdam Death of the Virgin (sometimes called the Master of the Almshouse of the Seven Electors) (fl. c. 1500) was a Netherlandish painter. His name is derived from a panel depiction of the Death of the Virgin, dated to about 1500 and now in the Rijksmuseum Amsterdam. The painting shows the Virgin Mary and the twelve Apostles in a complex interior, in intimate mood. The figures in the painting are small, with small heads and hands; their torsos, however, are bulky and covered in drapery. The name "Master of the Almshouse of the Seven Electors" is sometimes preferred because it refers to the name of the institution that donated the painting to the museum. There is also some disagreement over the attribution of paintings ascribed to the Master; some critics prefer instead to attribute some of them to the poorly-known Master of the Lantern. Critics also disagree as to his origin; some have linked him to Amsterdam, while others have suggested ties to Utrecht and its school of manuscript painters.

Famous quotes containing the words master of, master, amsterdam, death and/or virgin:

    Man has demonstrated that he is master of everything—except his own nature.
    Henry Miller (1891–1980)

    It is time to provide a smashing answer for those cynical men who say that a democracy cannot be honest, cannot be efficient.... We have in the darkest moments of our national trials retained our faith in our own ability to master our own destiny.
    Franklin D. Roosevelt (1882–1945)

    The Jew is neither a newcomer nor an alien in this country or on this continent; his Americanism is as original and ancient as that of any race or people with the exception of the American Indian and other aborigines. He came in the caravels of Columbus, and he knocked at the gates of New Amsterdam only thirty-five years after the Pilgrim Fathers stepped ashore on Plymouth Rock.
    Oscar Solomon Straus (1850–1926)

    Water, earth, air, fire, and the other parts of this structure of mine are no more instruments of your life than instruments of your death. Why do you fear your last day? It contributes no more to your death than each of the others. The last step does not cause the fatigue, but reveals it. All days travel toward death, the last one reaches it.
    Michel de Montaigne (1533–1592)

    Our own country furnishes antiquities as ancient and durable, and as useful, as any; rocks at least as well covered with lichens, and a soil which, if it is virgin, is but virgin mould, the very dust of nature. What if we cannot read Rome or Greece, Etruria or Carthage, or Egypt or Babylon, on these; are our cliffs bare?
    Henry David Thoreau (1817–1862)