The Master of the Amsterdam Death of the Virgin (sometimes called the Master of the Almshouse of the Seven Electors) (fl. c. 1500) was a Netherlandish painter. His name is derived from a panel depiction of the Death of the Virgin, dated to about 1500 and now in the Rijksmuseum Amsterdam. The painting shows the Virgin Mary and the twelve Apostles in a complex interior, in intimate mood. The figures in the painting are small, with small heads and hands; their torsos, however, are bulky and covered in drapery. The name "Master of the Almshouse of the Seven Electors" is sometimes preferred because it refers to the name of the institution that donated the painting to the museum. There is also some disagreement over the attribution of paintings ascribed to the Master; some critics prefer instead to attribute some of them to the poorly-known Master of the Lantern. Critics also disagree as to his origin; some have linked him to Amsterdam, while others have suggested ties to Utrecht and its school of manuscript painters.
Famous quotes containing the words master of, master, amsterdam, death and/or virgin:
“A master of men was the Goodly Fere,
A mate of the wind and sea,
If they think they ha’ slain our Goodly Fere
They are fools eternally.
I ha’ seen him eat o’ the honey-comb
Sin’ they nailed him to the tree.”
—Ezra Pound (1885–1972)
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You can endure the livery of a nun,
For aye to be in shady cloister mewed,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Thrice blessed they that master so their blood
To undergo such maiden pilgrimage.”
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“The Jew is neither a newcomer nor an alien in this country or on this continent; his Americanism is as original and ancient as that of any race or people with the exception of the American Indian and other aborigines. He came in the caravels of Columbus, and he knocked at the gates of New Amsterdam only thirty-five years after the Pilgrim Fathers stepped ashore on Plymouth Rock.”
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“Can even death dry up
These new delighted lakes, conclude
Our kneeling as cattle by all-generous waters?”
—Philip Larkin (1922–1986)
“If it were worth while to argue a paradox, one might maintain that nature regards the female as the essential, the male as the superfluity of her world. Perhaps the best starting-point for study of the Virgin would be a practical acquaintance with bees, and especially with queen bees.”
—Henry Brooks Adams (1838–1918)