The Master of the Amsterdam Death of the Virgin (sometimes called the Master of the Almshouse of the Seven Electors) (fl. c. 1500) was a Netherlandish painter. His name is derived from a panel depiction of the Death of the Virgin, dated to about 1500 and now in the Rijksmuseum Amsterdam. The painting shows the Virgin Mary and the twelve Apostles in a complex interior, in intimate mood. The figures in the painting are small, with small heads and hands; their torsos, however, are bulky and covered in drapery. The name "Master of the Almshouse of the Seven Electors" is sometimes preferred because it refers to the name of the institution that donated the painting to the museum. There is also some disagreement over the attribution of paintings ascribed to the Master; some critics prefer instead to attribute some of them to the poorly-known Master of the Lantern. Critics also disagree as to his origin; some have linked him to Amsterdam, while others have suggested ties to Utrecht and its school of manuscript painters.
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“He’s the master of the nightmare. He’s the Gustave Doré of the world of Henry Ford and Co., Inc.”
—Henry Miller (1891–1980)
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“Play is a major avenue for learning to manage anxiety. It gives the child a safe space where she can experiment at will, suspending the rules and constraints of physical and social reality. In play, the child becomes master rather than subject.... Play allows the child to transcend passivity and to become the active doer of what happens around her.”
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“The Jew is neither a newcomer nor an alien in this country or on this continent; his Americanism is as original and ancient as that of any race or people with the exception of the American Indian and other aborigines. He came in the caravels of Columbus, and he knocked at the gates of New Amsterdam only thirty-five years after the Pilgrim Fathers stepped ashore on Plymouth Rock.”
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“Buddhists and Christians contrive to agree about death
Making death their ideal basis for different ideals.
The Communists however disapprove of death
Except when practical.”
—William Empson (1906–1984)
“But see, the Virgin blest
Hath laid her Babe to rest:
Time is our tedious song should here have ending;
Heaven’s youngest teemed star,
Hath fixed her polished car,
Her sleeping Lord with handmaid lamp attending;
And all about the courtly stable,
Bright-harnessed angels sit in order serviceable.”
—John Milton (1608–1674)