A Master of Fine Arts (MFA, M.F.A.) is a graduate degree typically requiring 2–3 years of postgraduate study beyond the bachelor's degree (BFA), although the term of study will vary by country or by university. The MFA is usually awarded in visual arts, creative writing, filmmaking, dance, or theatre/performing arts. Coursework is primarily of an applied or performing nature with the program often culminating in a major work or performance.
Master of Fine Arts programs have generally required a bachelor's degree prior to admission, but many do not require that the undergraduate major be the same as the MFA field of study. The most important admissions requirement has often been a sample portfolio or a performance audition.
The Master of Fine Arts differs from the Master of Arts in that the MFA, while an academic program, centers around practice in the particular field, whereas programs leading to the MA usually center on the scholarly, academic, or critical study of the field.
In the United States, a Master of Fine Arts is seen as a terminal degree, meaning that it is considered to be the highest degree in its field. In the interest of extending the connection between creative production and continued academic research, however, some universities have established competing Ph.D programs in fields such as creative writing, visual arts, and theater.
Famous quotes containing the words fine arts, master of, master, fine and/or arts:
“If you would learn to write, ‘t is in the street you must learn it. Both for the vehicle and for the aims of fine arts you must frequent the public square. The people, and not the college, is the writer’s home.”
—Ralph Waldo Emerson (1803–1882)
“The day is for mistake and error, sequence of time for success and carrying out. The one who anticipates is master of the day.”
—Johann Wolfgang Von Goethe (1749–1832)
“Macavity’s a Mystery Cat; he’s called the Hidden Paw—
For he’s the master criminal who can defy the Law.”
—T.S. (Thomas Stearns)
“I love you. I never told my parents that I loved them. ‘Course, they never told me that they loved me, either, which was fine with me. But I love you.”
—Paul D. Zimmerman, U.S. screenwriter, and Martin Scorsese. Masha (Sandra Bernhard)
“Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.”
—John Dos Passos (1896–1970)