The Massachusetts Museum of Contemporary Art (MASS MoCA) is a museum in a converted factory building located in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art and performing arts in the United States.
MASS MoCA opened with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space in 1999. In addition to housing galleries and performing arts spaces, it also rents space to commercial tenants. It is the home of the Bang on a Can Summer Institute, where composers and performers from around the world come to create and perform new music. The festival, started in 2001, includes concerts in galleries for three weeks during the summer. Starting in 2010, MASS MoCA has become the home for the Solid Sound Music Festival, curated by Wilco. The three-day-long festival takes place all over MASS MoCA's campus.
Famous quotes containing the words museum, contemporary and/or art:
“Things will not mourn you, people will.”
—Hawaiian saying no. 191, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“The Hacker Ethic: Access to computers—and anything which might teach you something about the way the world works—should be unlimited and total.
Always yield to the Hands-On Imperative!
All information should be free.
Mistrust authority—promote decentralization.
Hackers should be judged by their hacking, not bogus criteria such as degrees, age, race, or position.
You can create art and beauty on a computer.
Computers can change your life for the better.”
—Steven Levy, U.S. writer. Hackers, ch. 2, “The Hacker Ethic,” pp. 27-33, Anchor Press, Doubleday (1984)