His Style
Takemiya is known for his "Double 4" fuseki when he uses white, where he usually starts the game like so:
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
"Double 4" fuseki (White). |
Takemiya is a favorite among amateur go players because of his very thick playing style as black. His sanrensei (three star) openings involve plenty of fights.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Takemiya's famous moyo (right side) |
The sequence of moves from 00-07 in the lower right corner involves a common joseki that creates a moyo in conjunction with the triangled stone. Takemiya often plays a variation of this joseki but has made a few innovations of his own such as the kosumi in response to the same corner approach in the upper right corner. The resulting sequence could result in moves 08-13, where 09 is the kosumi move.
Read more about this topic: Masaki Takemiya
Famous quotes containing the word style:
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (18211880)