Production
- Screenplay by Vladimir Valutsky
- Original music score by Maksim Dunayevsky, lyrics by Naum Olev
- Score by State Symphony Orchestra of Cinematography, conducted by Sergei Skripka
- Director of cinematography Valentin Piganov
- Set decorator Viktor Petrov
Leonid Kvinikhidze reported in an interview later that his intention was not a film for kids, but for adults. The fact that it was very kindly met by children was unexpected for him.
Pop-music material was recorded by Voskreseniye with a setup consisting of Vadim Golutvin (guitar), Petr Podgorodetskiy (keyboard), and Vladimir Voronin (drums).
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“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (19131960)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)