Works
- "Duty of the National Association of Colored Women to the Race", A. M. E. Church Review (January 1900), 340-354
- "Club Work of Colored Women", Southern Workman, August 8, 1901, 435-438
- "Society Among the COlored People of Washington", Voice of the Negro (April 1904), 150-56
- "Lynching from a Negro's Point of View", North American Review 178 (June 1904), 853-868
- "The Washington Conservatory of Music for Colored People", Voice of the Negro (November 1904), 525-530
- "Purity and the Negro", Light (June 1905), 19-25
- "Paul Lawrence Dunbar", Voice of the Negro (April 1906), 271-277
- "Susan B. Anthony, the Abolitionist", Voice of the Negro (June 1906), 411-16
- "A Plea for the White South by a Colored Woman", Nineteenth Century (July 1906), 70-84
- "What It Means to Be Colored in the Capital of the United States", Independent, January 24, 1907, 181-86
- "An Interview with W. T. Stead on the Race Problem", Voice of the Negro (July 1907), 327-330
- "Peonage in the United States: The Convict Lease System and the Chain Gangs", Nineteenth Century 62 (August 1907), 306-322
- "Phyllis Wheatley - An African Genius", Baha'i Magazine: Star of the West 19:7 (October 1928), 221-23
- A Colored Woman in a White World (1940), autobiography
- "I Remember Frederick Douglass", Ebony (1953), 73-80
Read more about this topic: Mary Church Terrell
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“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
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