Background
Neil Gaiman stated in an afterword to the series that he had always viewed the Marvel universe as "magic".1602's editors Nick Lowe and Joe Quesada approached Gaiman after Quesada became Marvel's Editor in Chief with the intent for Gaiman to work on a project for Marvel. Gaiman eventually agreed to write a Marvel Comic in August 2001, although he wasn't sure what it would contain. When the September 11, 2001 attacks occurred, Gaiman decided that he didn't want planes, skyscrapers, bombs or guns in his comic— "I didn't want it to be a war story, and I didn't want to write a story in which might made right – or in which might made anything." On a trip to Venice soon after, Gaiman was struck by how the "past seemed very close at hand"; he returned from the trip knowing the story he wanted to tell. The time was chosen because "it was a nice place to set the story. It gave me America and it gave me a lot of things that I wanted in terms of the way the world was changing. It also gave me the sense of wonder and magic."
Gaiman described writing the series as odd, since he hadn't written comics in half a decade; the story was trimmed down significantly as the size went from six 36-page chapters to eight 22-page segments. He also wanted to write a comic that was different from The Sandman, his most recognized work. The profits of the series went to help fund his Marvels and Miracles LLC company, which is fighting for the rights to Marvelman.
Read more about this topic: Marvel 1602
Famous quotes containing the word background:
“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
—Lyndon Baines Johnson (1908–1973)
“Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.”
—Friedrich Nietzsche (1844–1900)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)