Selected Works
- Alice in the Garden of Live Flowers (for seven harps) (2008)
- Pi in the Sky (1971 opera)
- The Wild West Show (1971)
- Machine (1972)
- Kdadalak (For the Children of Timor) (1977)
- Who Killed Cock Robin (1979, for chamber choir)
- For Marimba and Tape (1983)
- Snark-Hunting (1984, for flute, keyboards, percussion, 'cello & tape)
- Venceremos! (1984, for tape and transparencies)
- Boojum! in concert : nonsense, truth and Lewis Carroll (1986; with Peter Wesley-Smith)
- Quito (1994, documentary music drama; with Peter Wesley-Smith)
- X (1999, multimedia piece for clarinet and CD ROM)
- Welcome to the Hotel Turismo (2000, multimedia piece for cello, or bass clarinet, and CD ROM)
- Weapons of Mass Distortion (2003, an audio-visual piece for clarinet in B flat & Macintosh computer)
- A Luta Continua (2005, oratorio for baritone, girls' choir and orchestra; with Peter Wesley-Smith)
- Papua Merdeka (2007 - audio-visual piece for bass clarinet and Macintosh computer)
Read more about this topic: Martin Wesley-Smith
Famous quotes containing the words selected and/or works:
“There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.”
—Gwen Morgan (20th century)
“Any balance we achieve between adult and parental identities, between children’s and our own needs, works only for a time—because, as one father says, “It’s a new ball game just about every week.” So we are always in the process of learning to be parents.”
—Joan Sheingold Ditzion, Dennie, and Palmer Wolf. Ourselves and Our Children, by Boston Women’s Health Book Collective, ch. 2 (1978)