Works
Walker has written several books including Waking Giant: Gorbachev and Perestroika, The Cold War: A History, Clinton: The President They Deserve and America Reborn.
He is also the author of the 'Bruno' detective series set in the Périgord region of France, where Walker has a holiday home. It is based on an unconventional village policeman, Benoit 'Bruno' Courreges, a gourmet cook and former soldier who was wounded on a peacekeeping mission in the Balkans, who never carries his official gun and has "long since lost the key to his handcuffs."
- Bruno, Chief of Police. Quercus, London 2008, ISBN 978-1-84724-507-6
- The Dark Vineyard. Quercus, London 2009, ISBN 978-1-84724-915-9
- Black Diamond. Quercus, London 2010, ISBN 978-0-85738-053-1
- The Crowded Grave. Quercus, London 2011, ISBN 9781849163217
- The Devil's Cave. Quercus, London 2012, ISBN 978-1-78087-068-7
- The Resistance Man. Quercus, London 2013, ISBN 978-1780870724
Read more about this topic: Martin Walker (reporter)
Famous quotes containing the word works:
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (1865–1939)
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)