Martin Sharp - Solo Projects

Solo Projects

In 1969 Sharp held his second solo exhibition at the Sigi Krauss Gallery. Entitled "Sharp Martin and his Silver Scissors" it featured collages based on famous works of art. He returned to Australia later that year, taking up residency in the old Clune Galleries. Thelma Clune, the director, had decided to sell the building, but there was no rush for the sale, and under the watchful eye of mutual friend "Charlie" Brown, Sharp presented his first exhibition after his return.

This was followed by The Incredible Shrinking Exhibition, which comprised photographs of the first show re-exhibited in small gem-like mirror frames. These two exhibitions laid the foundations for the famous Yellow House project of 1970-71. The house became a unique multimedia space, an art environment in which each room was an entire art work. The Yellow House was open 24 hours a day and had thousands of visitors between 1971 and 1973 when it closed.

Returning to London in 1972, Martin continued his interest with the idea of appropriation. He created "Art Book", another miniature production, approximately 5" x 6" in size and incorporating 36 colour collages cut from the pages of glossy art books, bringing together the work in single images of Magritte and Van Gogh, Matisse and Magritte, Botticelli and Picasso with occasional overlays of Van Gogh on Van Gogh, Van Gogh on Botticelli, or Vermeer on Vermeer.

"I have never been shy about cutting things up if I had a good idea. To me it was worth the price of a book for the idea it expressed, the interconnecting of different worlds. I could put a Gauguin figure in a Van Gogh landscape, make the composition work, and also say something about their relationship."

Distributed in the United Kingdom, France and Italy in 1972, "Artbook" was released in Australian in 1973 to coincide with Sharp's return to Australia and his "Art Exhibition" at the Bonython Gallery, Sydney. The previous collage images were presented as completed paintings, returning them to their original medium. Extending viewer involvement, one work, Self Portrait was simply a mirror in an ornate gold frame while another more iconicised work was a linen, cheap reproduction of the Mona Lisa in an equally ornate gold frame, entitled Tea Towel.

During the mid-Seventies, Martin was probably best known in Australia for his work with the Nimrod Theatre, for whom he produced his famous series of posters, as well as designing numerous sets, costumes and scenery pieces. His famous Nimrod posters (now prized collectors' items) include his iconic poster for the plays Young Mo, The Venetian Twins, and Kold Komfort Kaffee. Sharp's rendering of the "Mo" face became the symbol of the Nimrod Theatre; and one of his best known images. In this period he also designed the classic cover for Jeannie Lewis' debut album Free Fall Through Featherless Flight (1974).

Martin has designed at least two posters for Australia's premier contemporary circus, Circus Oz including the iconic 'World Famous'/'Non-Stop Energy' design.