Martin Kemp (art Historian) - Bibliography - Contemporary

Contemporary

  • 'Kate Whiteford. A Personal Impression', Votives and Libations in Summons of the Oracle, St. Andrews, 1983.
  • 'Stephen Farthing: Feeling Spaces', Stephen Farthing. The Knowledge: Exeter, Spacex Gallery, Exeter, 1991.
  • '"Fateful Lines": Drawings by W. Barns-Graham', W. Barns-Graham. Drawings, Exhibition Catalogue, St. Andrews etc., 1992.
  • 'Our Identity is Our Discomfort', Michael Esson, Exhibition Catalogue, St. Andrews, Aberdeen, 1990.
  • Sitelines. Kate Whiteford, Edinburgh, 1992.
  • ‘Eduardo Paolozzi’, Spellbound, exhibition Catalogue, Hayward Gallery, London, 199*, pp. 101–7.
  • ‘The Beholder’s Share’, James Hugonin, exhibition catalogue, Kettle’s Yard, Cambridge, 1996.
  • ‘Singing Nature’s Song’, Wilhelmina Barns-Graham. New Paintings, Art Fist, London, 1999.
  • ‘Durch eine Scheibe, die machmal matt ist. Der Spiegel, die Kamera und das Medium’, John Hilliard, ed. U Nusser and M. Wallace, Heidelberg, 1999, pp. 74–83. In English as ‘“Through a Glass Darkly”: the Mirror, the Camera and the Medium’, John Hilliard, London, 1999, pp.
  • ‘The Music of Waves. The Poetry of Particles’. Thoughts on the Implicate Order for Susan Derges’, Susan Derges. Liquid Form, Lonson, 1999, pp. 5–30.
  • ‘Art as Process. A Baker’s Dozen for Gustav Metzger’, Gustav Metzger, Retropsectives, Museum of Modern Art, Oxford, 1999, pp. 29–43.
  • “We All Live in a Tin Submarine”, Reinhard Behrens. Twenty-Five Years of Expeditions into Naboland, Glasgow, 2000, p. 34.

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