Martin Crimp - Plays

Plays

  • Love Games (co-written with Howard Curtis, Orange Tree Theatre lunchtime, 9 April – 1 May 1982)
  • Living Remains (Orange Tree lunchtime, 9–25 July 1982)
  • Four Attempted Acts (Orange Tree 1984)
  • A Variety of Death-Defying Acts (Orange Tree 1985)
  • Definitely the Bahamas, "a group of three plays for consecutive performance" also including A Kind of Arden and The Spanish Girls (Orange Tree 1987)
  • Dealing with Clair (Orange Tree 1988)
  • Play with Repeats (Orange Tree 1989)
  • No One Sees the Video (Royal Court, Theatre Upstairs 1990)
  • Getting Attention (Royal Court, Theatre Upstairs 1991)
  • The Treatment (Royal Court 1993)
  • Attempts on Her Life (Royal Court 1997; National Theatre, Lyttelton, March 2007)
  • The Country (Royal Court 2000, revived at the Tabard Theatre May 2008)
  • Face to the Wall (Royal Court 2002)
  • Cruel and Tender (Young Vic 2004)
  • Fewer Emergencies (Royal Court, Theatre Upstairs 2005)
  • The City (Royal Court, Jerwood Theatre Downstairs 2008)
  • In the Republic of Happiness (Royal Court Theatre 2012)

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    The key word in my plays is “perhaps.”
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    To develop an empiricist account of science is to depict it as involving a search for truth only about the empirical world, about what is actual and observable.... It must involve throughout a resolute rejection of the demand for an explanation of the regularities in the observable course of nature, by means of truths concerning a reality beyond what is actual and observable, as a demand which plays no role in the scientific enterprise.
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    And mocks my loss of liberty.
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