Mark Textor - Published Work

Published Work

Mark Textor has written a regular opinion piece in the Sydney Morning Herald’s Saturday edition. Articles cover a range of insights into his experience running political and issue-based campaigns and the lessons learned.

In September 2012 Textor has continued his work with Fairfax now writing for The Australian Financial Review.

  • Lead like you mean it The Financial Review, 05/11/2012
  • Commentariat leaves voters short on facts The Financial Review, 22/10/2012
  • "Weakness of the elites no response to militant Islam The Financial Review, 17th September 2012.
  • "'No NT culture war, just home grown heroes]. The Financial Review, 3rd September 2012.

Sydney Morning Herald articles include:

  • No cuts should penetrate the nation's armour (26 May 2012)
  • London takes a no-nonsense spin class with Boris (26 May 2012)
  • Take life down a gear and quit the spin cycle (28 April 2012)
  • Aim and fire: voting papers become a weapon (14 April 2012)
  • Messages of substance made a pope - and a premier (31 March 2012)
  • One tweet & a little bird can drop a bombshell (17 March 2012)
  • The core values that unite voters can also divide them (3 December 2011)
  • Too many voices drown out need for reform (3 December 2011)
  • For whom the poll tells depends on what you ask (3 December 2011)
  • New form of journalism must adhere to old rules (3 December 2011)
  • There are no hang-ups in this hung parliament (3 December 2011)
  • A confession - even the elites have their place (3 December 2011)
  • Time for conservatives to do the right thing (3 December 2011)
  • Who needs a CV when a tweet says much more (3 December 2011)
  • For cyclists, a metre matters as much as life itself (3 December 2011)
  • In uncertain times, certainty is a precious stone (3 December 2011)
  • The people just want to be given the facts (3 December 2011)

Read more about this topic:  Mark Textor

Famous quotes related to published work:

    “Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
    —Alexander Solzhenitsyn (b. 1918)