Musical Career
Along with Morphine, which he formed in 1989, Sandman was a member of the bands Treat Her Right, Sandman, Candy Bar, the Hypnosonics, Treat Her Orange, Supergroup (with Chris Ballew), and the Pale Brothers. He performed as a guest with the Boston jazz band Either/Orchestra.
His instruments were extensively altered and sometimes built by hand. In Morphine, he usually played a two-string slide bass guitar tuned to a fifth, and sometimes a unitar (named after the one-stringed instrument in American blues tradition), and three-string slide bass with one bass and two unison strings tuned an octave higher (usually to A). He sometimes paired bass strings with one or two guitar strings, creating the "basitar" "tri-tar" and "guitbass." The guitbass and basitar were later used by the band The Presidents of The United States of America, with whom Sandman was close friends.
For Sandman, the result was a murky, slurring sound that, particularly when paired with the baritone saxophone of Morphine's Dana Colley, created what Sandman termed "low rock." His baritone singing completed the sound. "We're just baritone people," he once told an interviewer. "And the cumulative effect of all these instruments is that it sounds really low, but you can still hear what's going on between the different instruments. It hits the body in a peculiar way that some people like a lot."
As a lyricist, Sandman was influenced by pulp fiction writer Jim Thompson and crime writer James Ellroy.
During Morphine's active years, the band released five albums and one B-sides compilation. They toured extensively, both domestically and internationally, and became the second act signed to Dreamworks Records. During the 1990s, Sandman continued to expand his Cambridge-based home recording studio with second-hand instruments and equipment, calling the studio Hi-n-Dry. Hi-n-Dry became Morphine's unofficial home and they recorded many of their signature tracks using Sandman's unique homegrown production methods.
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