Criticism
In The Ideology of Religious Studies, Timothy Fitzgerald criticizes Juergensmeyer's theoretical framework, while praising his fieldwork. Fitzgerald points out that the sources being interviewed do not always accept the "ethno-religious" label for themselves, and that the opposing side is arguably just as "ethno-religious"; he goes on to claim that Juergensmeyer never makes clear why he separates so many different conflicts into these two sides, asking, "What holds all these diverse 'other' ideologies, which have been basketed together as religions or religious traditional ideologies, together, apart from their being struggles of national self-determination against a dominant other?"
Read more about this topic: Mark Juergensmeyer
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“It is from the womb of art that criticism was born.”
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“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
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