Further Reading
- Coal Faces Mining Lives. Portraits of an industry and its people, Imogen D. Townsend. The National Mining Museum for England Trust Ltd 2005. ISBN 1-872925-10-3
- Shafts of Light: Mining Art in the Great Northern Coalfield, Robert McManners and Gillian Wales, Gemini Productions, 2002. ISBN 978-0-9532217-1-4
- The Artists of Northumbria, Marshall Hall, Art Dictionaries, Bristol, England, 2005. ISBN 0-9532609-9-2
- Marjorie Arnfield, A Celebration of her Life and Work, Djanogly Art Gallery, Nottingham University, 2001. ISBN 1-900809-95-8
- St Ives Journey, Artists & Illustrators, September 2000, ISSN 02694697
- In Conversation, Marjorie Arnfield, The Artist, March 1999, ISSN 00043877
- Testament To Coal, Artists & Illustrators, October 1998, ISSN 02694697
- Marjorie Arnfield, National Coal Mining Museum for England, May 1998
- Marjorie Arnfield, Artist's Statement, written by the artist about her personal reasons for her mining art, and published for an exhibition at Bishop Auckland Town Hall, 1999.
- An Artist's Retreat, Woman and Home Magazine, February 1995
- Durham Biographies Volume 6, Durham County Historical Society, December 2009
Read more about this topic: Marjorie Arnfield
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“How many a man has dated a new era in his life from the reading of a book! The book exists for us, perchance, that will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered.”
—Henry David Thoreau (1817–1862)
“For aesthetics is the mother of ethics.... Were we to choose our leaders on the basis of their reading experience and not their political programs, there would be much less grief on earth. I believe—not empirically, alas, but only theoretically—that for someone who has read a lot of Dickens to shoot his like in the name of an idea is harder than for someone who has read no Dickens.”
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